Dong Yuan can regard landscape painting of ink of Changjiang Delta water as the suzerain of the clique, accumulate besides the art of forefathers, outside the element such as geographical condition, environment of Na Tang's politics, culture facilitated the development of painterly art. As frequent as political power alternate north beam, the Tang Dynasty, advance, Chinese, photograph of week the Five Dynasties is compared, social politics environment of Na Tang should be stabilized more, the culture foundation that the Southern Dynasties lays at Changjiang Delta produces certain effect in Na Tang. Keep good year (943, 947) first, plum 璟 established courtyard of drawing of member of the Imperial Academy in palace, abbreviation imperial art academy, make a picture to fulfil the life wish of the imperial court directly, dong Yuan often acts according to aim and painters of imperial art academy to cooperate. The painter of imperial art academy that enjoys great reputation at that time has Wang Qihan, Wei Xian, Zhou Wenju, Gu Hong 幹 of medium, Zhao, they are long at or landscape painting holding arrogate to oneself concurrently. Those who be like Wang Qihan " collate book pursues " axis (make " the graph that choose side " , nanjing university history is Tibet) with Zhou Wenju " chess of the meeting that weigh screen pursues " axis (Song Mo, museum of Beijing the Imperial Palace hides) the screen draw in waiting for a character to draw has water from a mountain. Of Wei Xian " Gaoshitu " roll (museum of Beijing the Imperial Palace hides) with Zhao 幹 " Jiang Hangchu Xue Tu " roll (museum of Taipei the Imperial Palace hides) the landscape painting that is activity of content of two frame someone, although their landscape painting wind has small other each, but overall style agrees basically, all be labour with fine pen, give priority to with Chinese ink, hill stone is abrupt, have northward landforms feature more, have not show the landforms with Changjiang Delta distinctive area and climate trait, have the Chen Ge of Dong Yuan not stick to outside imperial art academy only, become an organic whole oneself. Regretful is, his picture wind fails the landscape painting altar inside dictate imperial art academy, however the path outside the courtyard commentate won in the painter chase after the person that esteem, wait like Shi Juran and Liu Taoism priest.

Dong Yuan is in Northen Song Dynasty, later period, get first the praise highly of the bookman such as Shenyang draw together, Mi Fei, Su Shi, they deeply the pen with Dong Yuan cheesy sincere sends place to be convinced. Dong Yuan gets in this period the favour of civil people, it is the nature of praise highly of the person that open Zong Li to send because of what these bookman draw, aesthetic interest that puts Da Hexiao to come loose, and the artistic connotation of Dong Yuan landscape painting is depending on this.
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