Blow axis of graph of xiao female celestial being
Bright Zhang Lu
Silk scroll, chinese ink pen, vertical 141.3cm, horizontal 91.8cm.
The difference with the fairy figure more notable than having photograph in the girl in the graph and the expression of the name of a river in Shaanxi and Henan provinces that consider the wording and purpose of what one writes of Kai or mural of Tang Dynasty of Mo Gao hole. Her face is full, tall bazoo is big, figure is simple and unadorned, lack fairy people the appearance of thin spirit clear appearance and Gao Yi's free from vulgarity bearing; Figure mound fact is plump, lack the lightsome posture of spirit of way of celestial being embryo; Those who wear bounty is thick take a commoners, lack wave wave the garment belt that is about to fly. She contains grumous life flavor, woman of just like country, what declare publicly goes out is the natural beauty of terrestrial female.

Person narrative pursues one of high-ranked imperial concubine dawn makeup
Ming Chouying
Silk scroll, fill in colors on a sketch, every open vertical 41.4cm, horizontal 33.8cm.
This graph is in with Yang Guifei early morning Hua Qing Gong Duanzheng building is a center to lens manage hair worn in a bun or coil, lady-in-waiting play music, deflower and carry the clue such as the lute to show together at a picture, it is vocal music, good that concentration behaved high-ranked imperial concubine to love peony, flower happy hairpin, kind the characteristics that dress up, wraparound also report high-ranked imperial concubine is costly vertical happy life content. Appearance of traditional Chinese painting of beautiful women is dignified beautiful is beautiful. Work has the artistic effect of suit both refined and popular tastes, it is the innovation that Chou Ying is versed in to Tang Song the pen weighs colour law and development.

Axis of graph of prostitute of king Sichuan palace
Ming Tangyin
Silk scroll, fill in colors on a sketch, vertical 124.7cm, horizontal 63.6cm.
This graph is the traditional Chinese realistic painting characterized by fine brushwork and close attention to detail in picture of Tang Yin's character to weigh colour to draw the masterpiece of wind to taste all the way, show him to be in the modelling, excellent craft that waits for a respect with pen, fill in colors on a sketch. Posture of traditional Chinese painting of beautiful women is well-balanced and beautiful, cut humeral narrow back, hair worn in a bun or coil of beautiful eyebrows cherry, the forehead, nose, chin inflict " 3 white " , absorbed creation of 昉 of Zhang Xuan, week already " the Tang Dynasty makeup " characteristic of modelling of traditional Chinese painting of beautiful women, reflect a bright generation to go after the aesthetic fashion of comely beautiful beauty again. 4 people crisscross and stand, smooth and orderly, the head that carries small do all one can, standing position that bends slightly and involve connected arm, the diversiform change that forms trends and each other are contacted cheek by jowl,
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