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Xi Ling: Of Gu island keep watch - - special interview Xi Ling imprints Chen Zhe
From;    Author:Stand originally

On this level, chinese poem, book, picture, imprint wait for traditional art to have its specialty, it needs our attention especially. Differ with the foreign culture such as canvas, piano, traditional art of China is further and further from the metre of current society. Contemporary China, grass-roots the propinquity that the close feeling of modern to the west culture is more than his old people culture far feels -- in the adolescent today, network, Japan moves the allure that overflow to be more than far " fine of divine pen horse " " Meng Jiang daughter " the allure that waits for classic fokelore.

The China that this kind of phenomenon shuts Guan Suoguo from 19 centuries actually is broken country the door when began. The culture that as a result of science this kind of complete mankind shares is too strong, the consequence that the modernization that western setting colour issues today lives to us, be opposite at culture of classic colorific tradition greatly far our consequence. To traditional art, this is a very helpless choice, also be an inevitable choice however: A nation wants powerful and prosperous, must study science, must throw away of tradition of a lot of China, classic thing.

But this did not lose its existence value on behalf of these traditional people culture. Original, our offspring chooses OK and should equally to accept the west modern culture or ethical culture of China, but the force as a result of this kind of afore-mentioned timeses is too large, we just are necessary to imprint to poetic painting and calligraphy this kind of China's classic art a special appeal, the state of mind that takes a bit preference even sometimes even goes crying out for it. This is today a kind of sense of responsibility with culture due elite of China and mission feeling.



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