Saierlandayao and Bodiqieli are almost coetaneous, still one calls Jierlandayao (Ghirlandao, 1449—1494) painter. He is the head of metallic artisan of Foluolunsa. His picture, it is the realism system that belongs to style of equestrian Sa tall, in his picture, most scenery is the scenery of outskirts of Sa of Buddha Luo Lun, depict really racily. " old person and grandchildren " the interest that has a family, very kind, and also be to abound the portraiture of humorous gout; Although from the prospect that sees outside the window, how many some adornment are changed, still can consider as paint from life nevertheless. He is in papal Vatican palace, the picture passes " Christ is passed " .

Mantanniyajierlandayao no matter from which on one hand for it is your person feels a scale the painterly painter with kind, halcyon, exalted character, and Mantanniya (Andrea Mantegna, 1431—15O6) it is pushful, and can say be the person that has quite strange tendency. He gives birth to Yupadouya, cannot saying strictly is Foluolunsapa, but the sphere of influence that attributes Foluolunsa because of Padouya, here, it is convenient for the purpose of to also send Sa of Luo Lun of his classify Buddha. Mantanniya's work is the famousest is " Christian body and two Maliya " . This is the work that paints Christian body from square all along of the foot, but its depicting is how correct! Composition of a picture also gives person accident, the boldness of vision of the giant type that coerces to the person to that appears strongly especially, make the person is convinced. The Maliya that determination is the station on the side and pull greatly, the picture is become all over the face the carline of furrow, also be the brushwork of occur for the first time completely. The artistic mind that he makes gathers " Panasusi " , also be a grandiose and gallant your work, get the respect of people.

The play of individual character arrives 14, 15 centuries, painters begin to develop individual character in him work. As above, individualize hardly in mediaeval picture, see whose work, seeming is same; But to renaissance period, not be however such. Qiao Tuo, install its Li Ke, Bodiqieli, Mantanniya to have the bright characteristic that is different from other and individual character. Renaissance period the times that also can saying is play individual character, it is businessmen the period that the free competition of citizens begins to dominate the world. Painters want only was to paint very outstanding picture, with respect to OK and crushing other artists; And the person that follows him individual character makes a picture come more can handy. Accordingly, they begin innocently to pay attention to of purpose individual character and Promethean.
Of the painter sign the painter signs on his work, also concern with free competition. Of the painter sign, consider as commonly from lose strap begin, nevertheless, arrive 14, times of competition of 5 centuries freedom, the painter begins the individual character according to oneself, the picture has change, novel picture, and sign on the picture, means is responsible to his work. And the person of the work that used buys that artist, sign like what see him later, meet very know clearly: “ ! It is the work of that painter! ” feels kind, perhaps can want to buy. Of the painter signing is a kind of brand, had this kind of brand, painter more and more the individual character that respects oneself, begin to paint the distinctive picture that has individual character, this is OK of have visions of. Painterly commercialization, individuation, although be in the work of 3 after afore-mentioned painters great artists, clear also the earth's surface comes out now.
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