By " art " , " Tsinghua art " associated nomination holds " · of Chinese ink of water of the four seasons spring -- work of artist of outstanding now China is exhibited " nomination painter is Zhang Guiming, Zhu Zhengeng respectively, . After exhibition opening ceremony ends, by " art " Shang Hui of magazine executive chief editor is chaired held academic seminar, leap forward of Long Ting of Shao Dazhen, Xue Yongnian, Li Song, Liang Jiang, Liu, Zou, Hangzhou, the egghead of contemporary and famous painting such as Chen Lvsheng attended a seminar.

Shang Hui (" Chinese ink of water of the four seasons " learning is chaired, " art " the magazine carries out chief editor) :

"Chinese ink of water of the four seasons " the academic theme that is a very wide extensive, since nature theme, also be social theme. From natural theme for, fish of bug of the wood of mountains and rivers-land of natural group, painting of flowers and birds in traditional Chinese style the change that differ and formed natural rhythm of climate as the four seasons, this is nature bestows to human wisdom and affective, also be the theme of eternity of laudatory of singing of artist of literature of China and foreign countries. From social theme for, person and nature made a kind of impact, nature is house place of the mankind, the mankind is this host in occupying place, and, how the development of human society and mankind treat nature is contacted together. Can say, the four seasons offerred very broad creation view to the artist of at all times and in all over the world. This exhibition also is such. "Chinese ink of water of the four seasons " 10 Chinese painters of nomination, it is the painter that is full of challenge sex now, they stand to go alone especially, in meaning of successive and traditional writing accumulate while, bold and powerful also ground and tradition are schematic pulled open a distance. This distance is not without foundation concoctive, set out from the feeling that lives to contemporary society however, do one's best conveys them to consider a move to the place of contemporary society reality and culture reality, they draw revolutionary exploration to contemporary China, all without exception is base point with thinking this kind. And " the four seasons " theme, try to let these painters that already were agreed with by picture altar have a few new change once more, undertake a few learned new exploration once more. This is the academic intent that shows this.

In 20 centuries 80 time begin arisen contemporary water ink stick in motion, mr Liu Xiao pure once put forward to build Shui Moxin's normative learning proposition. Today, motion of contemporary water Chinese ink already was accepted generally by us, motion of water Chinese ink also drew development to bring not little change for today's China, consequently, to Chinese ink of such a kind of water today motion and this is planted of the effect that motion of water Chinese ink draws to China and even situation of world of picture of whole today China form undertake review and be summinged up very be necessary. Since of these 10 painters the person kiss all previous of this one motion, also be the person that witness, the lane that their may not is this one motion is wet, but the influence that their Chinese picture is moved more or less by contemporary water Chinese ink. Consequently, here, be necessary to undertake technicality to the development of the traditional Chinese painting in now comb and sum up.
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